Exclusively Watercolour, although  always looking for new ways to describe the subject, and is experimenting a little with some collage and other mixed media.
“I see subject material just about everywhere, but it is invariably found in overlooked places. For instance, some ruined building  that holds numerous memories of past experiences.  Layers of peeling paint express the pathos of disintegration ruination, and  decline.  I feel often the sadness and history involved in the telling of a story.
I  sense a responsibility to convey that in my brushwork. Also the skeletal and linear remains of a plant in the winter season. These are examples of subjects I am seduced by. There is a striving for authenticity in narrating the drama. “. She explains,
“The watercolour paint itself will always have the last word in my approach. I start out with an idea, but I always allow a great deal of room for the paint itself to dictate what is happening. Watching paint dry is not the dull pastime  it is depicted to be!  The slow alchemy at work, influenced by drying times, atmosphere and temperature are mesmerising. I like to give permission for the subject itself to decide the trajectory within my rough guidelines to create a sense of transience and uniqueness.